Louis Macneice’s Zoo as a Personal Menagerie
DOI:
https://doi.org/10.18485/bells.2011.3.11Keywords:
parable, experience, gaze, personal history, collectionAbstract
This paper approaches the problem of writing and re-configuring personal history in the presence of animals by a modern subject who in the politically charged climate of the 1930s, as a result of developing an intimate relationship with the London Zoo, modifies his attitude towards life. The paper takes a specific interest in the London Zoo as a parable of history. I argue that Zoo is a hybrid cryptoautobiography which drives towards a didactic ending encouraging the reader to turn to animals, to hear the disconcerting voice: ”Le Zoo, c’est moi”.
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Copyright (c) 2021 Teresa Bruś
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