Image, Identity, Reality: Gnoseology оf Painting

Authors

  • Iva Draškić Vićanović

DOI:

https://doi.org/10.18485/bells.2012.4.4

Keywords:

Fine arts’ truth, gnoseological truth, Egypt, Rennaissance, painting, anticipation of modern gnoseological truth conception

Abstract

The paper looks at the two main ways of discovering the notion of truth in fine arts: a model of ancient Egyptian fine arts and the principle of Renaissance painting based upon illusory qualities. Contrasting these two different painting principles, the author presents an analysis of relations between fine arts’ truth and gnoseological truth, at the same time putting an emphasis on the subject – object problem and the problem of truth in art as such. Considering the fine arts’ style of a particular nation, or a particular epoch, as an expression of its gnoseological and ontological perception, the author looks at the Renaissance view of fine arts’ truth as an anticipation of modern gnoseological truth conception.

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Published

2012-11-15

How to Cite

Draškić Vićanović, I. . (2012). Image, Identity, Reality: Gnoseology оf Painting. Belgrade English Language and Literature Studies, 4(1), 55–61. https://doi.org/10.18485/bells.2012.4.4

Issue

Vol. 4 No. 1 (2012): BELLS - volume 4

Section

LITERARY AND CULTURAL STUDIES

License

Copyright (c) 2021 Iva Draškić Vićanović

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