Popular Violence in J.G. Ballard’s Cocaine Nights and Super-Cannes
DOI:
https://doi.org/10.18485/bells.2013.5.9Keywords:
popular culture, popular violence, consumerismAbstract
Popular culture in the contemporary sense of the term is closely connected with consumerism. According to John Fiske, popular culture is a culture contradictory in itself. In his set of dystopian visions of a Europe set in the near and, as it appears, unavoidable future – Cocaine Nights and Super-Cannes – J.G. Ballard presented two capitalist utopias. Like most critical utopias, these novels contain some dystopian elements, and this paper attempts to portray the novels as a presentation of a world where money and progress are the two undisputed authorities. After a separate analysis of both settings, the conclusion is reached that in these two novels the popular culture is the culture of violence used to fight the established system.
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