Transformation of Britishness – Graham Swift as a Postcolonial Storyteller
DOI:
https://doi.org/10.18485/bells.2016.8.20Keywords:
Graham Swift, modernism, Post modernism, Postcolonial Literature, BritishnessAbstract
According to some scholars, Graham Swift’s opus falls under the category of postmodernism. Others, however, would more readily categorize his work as modernist fiction. Swift’s choice of characters mainly does not reflect the contemporary changes in British demographics, and because of this it is not on first impulse that one would treat his work as postcolonial. However, using a broader definition of the term ‘postcolonial’ and leaning on certain aspects of the theories of Michel Foucault enable us to investigate Swift’s work as that of a postcolonial storyteller. An encouragement on this path of investigation is his latest short story collection, aptly titled England and Other Stories (2014), from which two short stories will be examined: “Saving Grace” and “England”.
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