When the Screens Go Off: The Apocalypse of Hyperreality in Don DeLillo’s The Silence
DOI:
https://doi.org/10.18485/bells.2022.14.8Keywords:
absurd, hyperreality, failure of technology, consumerism, Don DeLilloAbstract
The paper elaborates on the notion of hyperreality and its prevalent features that reflect the absurdity of the modern world in Don DeLillo’s latest work, The Silence. Namely, the paper argues that the five main characters, representatives of contemporary humanity, are indulged in hyperreality perpetuated by consumerism and technology addiction which have covertly kindled and sustained absurdity in their lives. Firstly, the notions of simulacrum, hyperreality, consumerism, and Camus’ philosophy of the absurd are thoroughly explained by consulting the applicable research body. Secondly, through exhaustive reading, the characters in The Silence and DeLillo’s portrayal of the contemporary era are analyzed with regard to the aforementioned notions. Finally, the paper extrapolates on the author’s gripping perspectives, and often a prophetic representation of the encumbrances humanity obediently bears and yet fails to recognize.
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